Critics from publications such as the Irish Independent, The New Zealand Herald, Reno News & Review, Toronto Star, and USA Today said that the film's 3-D experience was "even better than the real thing"-a reference to U2's song of the same name.
Some went as far as saying that viewing the film's 3-D effects was better than attending a concert. It received mostly positive reviews, with many critics praising the 3-D technology and innovation. ollowing post-production, U2 3D became the first live-action film to be shot, posted, and exhibited entirely in 3-D and the first 3-D concert film. U2 3D was the first 3-D film to feature composite images with more than two layers. One of the Fusion 3D camera rigs was used as a spidercam and became the first 3-D aerial camera. The film's complex setup involved shooting with up to 18 3-D cameras simultaneously and capturing the footage digitally, U2 3D's production featured the first 3-D multiple-camera setup and was shot using every digital 3-D camera and recording deck in existence. After considering an NFL-based 3-D IMAX films saga, Schklair's company 3ality Digital decided to create a concert film with U2. It was intended to be an inexpensive and effective way to shoot live events such as concerts or sports. This was done using motion control photography and real-time image processing to create a realistic 3-D experience without subjecting the viewer to excessive motion sickness or eye strain. Steve Schklair developed in 2001 a digital 3-D filming technique known as "active depth cut", which allowed for smooth cuts between shots that would normally not line up when filmed in 3-D. He described Final Destination 5 as "a clean, glossy thriller shot in native 3D (not post-conversion) that maximizes the technology without straining the audience's credulity or their constitutions." He also stated "Calling anything the 'best 3D horror film' has the ring of crowning the world's tallest midget, but Quale uses 3D almost shockingly well."Īmong other cinematic firsts, U2 3D was the first ever live-action digital 3-D film.
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In a review for, Linda Barnard has stated "this could be a case where the 3-D-shot movie is worth the extra few bucks to see". Richard Roeper stated in his review "From the opening credits to the final kill this film displays a great use of 3-D". There are still two cameras kind of melded together with a kind of complex, mirrored frame that allows you to shoot in 3D". In an interview with Shave Magazine, Nicholas D'Agosto revealed "the cameras we used were the newest hybrid 3D form. It was released in Real D 3D and digital IMAX 3D. The motion picture's world premiere was Augat the Fantasia Festival in Montreal, Canada.
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